Understanding “Untuk Negeri Kita”: the making of Penang's state anthem

The score of "Untuk Negeri Kita" by Awaluddin Zainal Alam.

For more than half a century, the state anthem, "Untuk Negeri Kita" (“For Our State”), has been more than just a ceremonial tune. For me, it was the song that opened every school assembly at La Salle Primary School and later echoed through the colonial hallways of St. Xavier's Institution during my secondary years. We sang it with pride, unaware of the layered history behind its creation.

Penang's Cina Wayang (Chinese opera) – for gods and ghosts

Growing up in Ayer Itam in the 1970s was like living in an endless festival. The wet market was our food playground, where you could buy something delicious at any time of the day. We would show up with our own tiffin carriers and even supply our own eggs to the char koay kak lady or Pak Dollah, the mee goreng uncle, who always accepted them without batting an eyelid. Ah Heng, the rojak man, parked his cart in front of my house. He would skewer halved green mangoes with a lidi (coconut leaf stick), smothering them in thick rojak sauce and crushed peanuts, creating a truly scrumptious snack. His sliced bangkwang, topped with similar ingredients, was another of my favourite treats. When Ah Heng eventually pivoted from rojak to koay teow th'ng, it was a welcomed change. His bowl of noodles was packed with minced pork, pork slices, liver, fish balls and topped with bak yu phok (fried lard) and spring onions.

"Looking After the Ashes" – unravelling the enigmatic Chinese Peranakan world of taboos and traditions

I usually stay away from horror stories, especially those that have blood and gore plastered all over the cover. I know that one should never judge a book by its cover. However having been an art director for more than three decades, I feel that a cover has to set the right tone and sell the book. The cover of "Looking After the Ashes" by Kopi Soh shows two wide-eyed kids, enchanted by the storyteller, enveloped with an eerie atmosphere. Picking up the book, I would not have been able to anticipate that it would be a page-turner for me.

Negaraku, a national anthem for the rakyat

Negaraku
Tanah tumpahnya darahku
Rakyat hidup, bersatu dan maju
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta

Jalur Gemilang – the stripes of glory

Behind the simple and slightly derivative design, the Malaysian flag has, since its creation, served as a silent testament to the country's heritage and cultural mix, and upholding cherished values like freedom and justice.

Our bold and beautiful red Bunga Raya

Let us take a moment to reflect on the name of Malaysia's national flower, Hibiscus rosa-sinensis. The word "hibiscus" originates from the Greek "hibiskos", a name given by the ancient physician Pedanius Dioscorides (c. 40–90 AD). Dioscorides, also a botanist, authored the influential De Materia Medica, a five-volume Greek encyclopaedia on herbal medicine.

“Jiwa Merdeka” – embracing freedom with a unified spirit

Malaysia's Independence Day, observed on the 31 August, is far more than a mere historical commemoration; it embodies the very soul of a nation. Known as Merdeka Day, this significant occasion marks not only the moment the country gained its freedom but also the genesis of a nation that, despite its rich diversity, strides forward as one unified people.

Timothy Tye's journey: preserving Penang Hokkien through an online dictionary

I am filled with immense pride to witness the presence of unsung heroes in Penang, individuals driven by a shared belief in uplifting their community. Among them stands Timothy Tye, a beacon of inspiration. Since its inception on 5 January 2003, his Penang Travel Tips website has provided invaluable information on Penang (now extended to cover Malaysia as well as Singapore). Timothy is not only a prominent foodie and YouTuber but is also a passionate advocate for the preservation of Penang Hokkien.

Bedak sejuk, a trusted beauty secret of our grandmothers

At dusk, when women with white sceptre-like masks ventured out of their homes to purchase a snack or visit neighbours, children would gawk while adults would shrug their shoulders in indifference.

The elegant Nyonya kebaya – wearable art that knows no seasons

"When in Rome, do as the Romans do." This oft-quoted adage champions the virtues of adaptation. Whether or not the early Chinese immigrants to Malay Archipelago were familiar with this nugget of wisdom, their actions mirrored its essence. These enterprising settlers, who journeyed to these lands in search of opportunity, not only carved out new lives but also intertwined their heritage with local traditions. Some married Malays and embraced elements of their customs while steadfastly preserving their Chinese beliefs and philosophies. From this union arose the Chinese Peranakan community – also known as Babas and Nyonyas – a vibrant cultural fusion renowned for its distinctive charm and ingenuity.

Book review: Once Upon A Kamcheng

Lillian Tong and Jewel Tan

Preface

This book is an anthology of Penang Straits Chinese Baba Nyonya memoirs, biographies, and collected stories. The compilation was inspired by life growing up in a Baba Nyonya home and the stories told to me by my mother, Tan Chooi Bee, and my friends. Beyond the nostalgia of resplendent gold and gilded lattice screens and gracious living are behind the scenes expose bothering on the ridiculous to the tragic, where antics, escapes, indulgences and misadventure reign.

Lillian Tong

The upside-down tree – Penang's very own Baobab

According to African legend, the Baobab wanted to become the most beautiful tree of all. When it realised that this was not possible, it put its head into the ground, so only the roots pointed heavenward. Another legend holds that when the Baobab was planted by God, it kept walking, so God pulled it up and replanted it upside down to stop it from moving.

A traditional signboard maker in Penang

In this day and age of colourful and animated LED video billboards, digital displays for advertisements and other fancy forms of signage, one does wonder if there is a place, still, for the traditional, hand-carved signboard – the sort of signboard that is found in some Chinese homes and business establishments.

My Kebaya shirt – a journey where novelty meets sublime beauty

Having grown up in a Chinese Peranakan household, I have always been intrigued by the beauty of the kebaya. It is not just about how the entire ensemble – when matched with a traditional floral sarong is wearable art, one that gives a veritable statement on the opulent cultural heritage of the Nyonyas.

Nyonya kasut manek (beaded shoes) – timeless objects of beauty

English influence

The British presence in the three Straits Settlement states had a profound influence on Peranakan culture. Suddenly, the hitherto unknown suits and skirts became à la mode for men and women respectively.

Western techniques also influenced the art and craft of fashioning Peranakan footwear. The style of embroidery, for example, once influenced by the Malays was in turn influenced by Western culture. The fine beadwork for shoes with which the Nyonya is identified is a comparatively recent invention from 19th century Britain and Continental Europe.

The floral bath (mandi bunga) ritual

The Russian musician Igor Stravinsky might have composed Le Sacre du Printemps (The Rites of Spring) as an exploration of nature and the rituals of renewal and sacrifice, but one could safely conjecture that the ritual and ceremony of the Malaysian floral bath was created for more personal (and less lofty) reasons. The two may be worlds apart, but both Stravinsky and the local bomoh share one thing – invoking the power and the mystery of nature and the elements in their work.

People of the Five Rivers

As one ascends the steps of George Town's magnificent Chinese clan temple of the Khoo Kongsi, it is difficult not to notice a pair of huge images meticulously carved out of granite as if welcoming visitors in.

The two tall, life-sized figures of Sikh guards (above) stand imposingly on the ornate pavilion of the century-old complex, widely considered to be the grandest clan temple in the country.

Sembang-sembang with Tan Choon Hoe, author of Loghat Hokkien Pulau Pinang 

Malaysians are truly fortunate, as they have gained a reputation for their remarkable linguistic versatility. Let us consider my late father as an example, who was of Chinese descent and possessed a remarkable fluency in various languages and dialects. He could effortlessly converse in English, Bahasa Malaysia, Tamil, Hindustani, Mandarin, Cantonese and of course, Hokkien.

16 September 1963 – A Nation is Born

On the historic midnight of 16 September 1963, a profound and unforgettable chapter in our nation's story began. The birth of Malaysia was more than just a political achievement; it was the realisation of the hopes, dreams, and determination of millions across the land. From the joyful streets of Penang and the colourful festivities in Sabah and Sarawak, to the symbolic ceremonies in Singapore, we stood united in the spirit of brotherhood, ready to embrace a shared destiny.

In the words of our beloved Bapa Malaysia, Tengku Abdul Rahman Al-Haj, "we have come together through our own free will and desire in the true spirit of brotherhood and love of freedom." Let us take a step back in time and read about this historic moment published in The Straits Times on Monday, 16 September 1963.

The story behind the universal stripes of the Buddhist flag

The Buddhist flag is a common sight in Buddhist communities today, often seen hanging from temple ceilings or columns indoors, or flying high from flagpoles.