Adrian Cheah loves Penang. He brings you interesting insights into the UNESCO heritage city of George Town where he calls home.
Behind the simple and slightly derivative design, the Malaysian flag has, since its creation, served as a silent testament to the country's heritage and cultural mix, and upholding cherished values like freedom and justice.
Negaraku
Tanah tumpahnya darahku
Rakyat hidup, bersatu dan maju
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
Growing up in Ayer Itam in the 70s was so much fun. Living near the wet market was even better since you could buy food easily any time of the day. Back then, we would bring our own tiffin carriers, even supply our own eggs to the char koay kak lady or Pak Dollah, the mee goreng uncle. Ah Heng, the rojak man, parked his cart in front of my house. He would string halved green mangoes on a lidi (coconut leaf) stick and top them with rojak sauce and crushed peanuts. Another favourite of mine was the sliced bangkwang (turnip), also topped with rojak sauce and crushed peanuts. Ah Heng eventually gave up the rojak business and sold koay teow thng. Everybody knew everybody back then. News even travelled faster than a speeding bullet. Before I could reach home, my mum would have known what I was up to. Mind you, that was when my house did not even have a telephone.
Staining the skin temporarily with henna can result in a beautiful work of art. In Penang, this practice is common among the Indian, Sikh and Malay communities. To them, it is a beautiful intangible cultural heritage evoking precious memories shared during festive seasons and wedding occasions. Having said that, tourists in Penang often join in the festivities and adorn their hands with henna designs as well. Since henna artists are available all year round at Little India, one can have it done for casual events anytime.
At dusk, when women with white sceptre-like masks ventured out of their homes to purchase a snack or visit neighbours, children would gawk while adults would shrug their shoulders in indifference.
The Russian musician Igor Stravinsky might have composed Le Sacre du Printemps (The Rites of Spring) as an exploration of nature and the rituals of renewal and sacrifice, but one could safely conjecture that the ritual and ceremony of the Malaysian floral bath was created for more personal (and less lofty) reasons. The two may be worlds apart, but both Stravinsky and the local bomoh share one thing – invoking the power and the mystery of nature and the elements in their work.
Sadhguru (Jaggi Vasudev), an influential yogi cautioned that the more we identify with something – religion, gender, race, ideology, money, et cetera – the more we will defend it, some even with our lives. Having said that, most of us feel the need to identify with things we hold dear, be it our family, heritage or even our social media status.
In this day and age of colourful and animated LED video billboards, digital displays for advertisements and other fancy forms of signage, one does wonder if there is a place, still, for the traditional, hand-carved signboard – the sort of signboard that is found in some Chinese homes and business establishments.
This meticulously regimented network was among the earliest parts of George Town planned under the administration of Sir Francis Light, the English founder of Penang. The area is hence now referred to as the "Francis Light Grid" – a rectangular network bordered by Leith Street, Beach Street, Chulia Street and Pitt Street (now Jalan Masjid Kapitan Keling).
Thomas Stamford Raffles was born in 1781, to Captain Benjamin Raffles and his wife Anne and in 1793 was sent as a boarder to the Mansion House Boarding school in Hammersmith, London. He joined the East India Company in London as a temporary clerk in 1795.
Having grown up in a Chinese Peranakan household, I have always been intrigued by the beauty of the kebaya. It is not just about how the entire ensemble – when matched with a traditional floral sarong is wearable art, one that gives a veritable statement on the opulent cultural heritage of the Nyonyas.
Malaysians are a lucky bunch, always well known for their versatility in languages or dialects. Take for example my late father who was Chinese could converse fluently in English, Bahasa Malaysia, Tamil, Hindustani, Mandarin, Cantonese and of course, Hokkien.
As one ascends the steps of George Town's magnificent Chinese clan temple of the Khoo Kongsi, it is difficult not to notice a pair of huge images meticulously carved out of granite as if welcoming visitors in.
The two tall, life-sized figures of Sikh guards (above) stand imposingly on the ornate pavilion of the century-old complex, widely considered to be the grandest clan temple in the country.
Acheen Street Mosque
Also known as Mesjid Melayu, the mosque was built on land donated by Syed Sheriff Tengku Syed Hussain Aidid an Arab merchant prince who came from Acheh in Sumatra. The vernacular-style mosque from 1808 remains basically unmodified except for the Moorish arcade added at the turn of the century.
Lillian Tong and Jewel Tan
Preface
This book is an anthology of Penang Straits Chinese Baba Nyonya memoirs, biographies, and collected stories. The compilation was inspired by life growing up in a Baba Nyonya home and the stories told to me by my mother, Tan Chooi Bee, and my friends. Beyond the nostalgia of resplendent gold and gilded lattice screens and gracious living are behind the scenes expose bothering on the ridiculous to the tragic, where antics, escapes, indulgences and misadventure reign.
Lillian Tong
Like other forms of Oriental martial arts, the millenia-old Malay silat is equally popular and effective in exhibitive, entertainment and sporting functions as it is for actual combat. The etymology of the word silat refers to movement of the body and the art itself originated during pre-Islamic times. Historically, silat reached its zenith during the Majapahit dynasty (1292-1478).
There are some who believe that traditionally, the task of performing Cheng Beng rituals falls on the family of the eldest son, followed by the next in seniority and so on. The eldest son is thus entirely responsible in ensuring that the rituals of ancestral offerings are carried out properly.
History
The history and practice of Chinese religious and cultural festivals go back a long way, some even beyond the span of written history.
Over the years, the traditions associated with these festivals are handed down from generation to generation within communities, with very little changes introduced. The only difference found in a festival celebrated in two different countries would be cultural ones.
Once again, Ramadhan, the holiest of months for Muslims, is almost upon us. The ninth month of the Muslim year is strictly observed by all Muslims as a month of fasting (and abstinence) during which they would abstain from the pleasures of eating, drinking and carnal desires and actions from sunrise to sunset. Ramadhan usually lasts from 29 to 30 days, after which Muslims celebrate Id-al-Fitr (Hari Raya Puasa in the local language). Fasting is one of the five basic duties of Islam.
From the top of the green hill, the endless string of devotees dotting its way up the concrete steps seemed like a sacred procession of silence.
Carrying milk-pots of brass and silver, and harnessed in colourful kavadis, the worshippers inched their way to the great temple overhead with sweet hypnotic resolve. The children, the elders, even the disabled ones, scaled slowly with their ceremonial burdens, ascending with a mission to the call of the good Lord Muruga above.
A fascinating Chap Goh Meh legend tells the tale of a lonely young bachelor, who during an outing on this moonlit night, was suddenly enchanted when he caught a glimpse of the most beautiful girl he had ever seen. Who was this exquisitely delicate beauty driving by in all her finery, he wondered? With excitement pounding in his heart, the hopeful young man quickly jotted down the number of the car she was in, lest he forgot.