My Kebaya shirt - a journey where novelty meets sublime beauty
Having grown up in a Peranakan household, I have always been intrigued by the beauty of the kebaya. It is not just about how – when matched with a traditional floral sarong – the entire ensemble is wearable art, one that gives a veritable statement on the opulent cultural heritage of the Nyonyas.
Nyonya kasut manek (beaded shoes) – timeless objects of beauty
The British presence in the three Straits Settlement states had a profound influence on Peranakan culture. Suddenly, the hitherto unknown suits and skirt became à la mode for men and women respectively.
Western techniques also influenced the art and craft of fashioning Peranakan footwear. The style of embroidery for example, once influenced by the Malays was in turn influenced by Western culture. The fine bead work for shoes with which the Nyonya is identified with is a comparatively recent invention from 19th century Britain and Continental Europe.
A traditional signboard maker in Penang
In this day and age of colourful and animated LED video billboards, digital displays for advertisements and other fancy forms of signage, one does wonder if there is a place, still, for the traditional, hand carved signboard – the sort of signboard that is found in some Chinese homes and business establishments.
The floral bath (mandi bunga) ritual
The Russian musician Igor Stravinsky might have composed Le Sacre du printemps (The Rites of Spring) as an exploration of nature and the rituals of renewal and sacrifice, but one could safely conjecture that the ritual and ceremony of the Malaysian floral bath was created for more personal (and less lofty) reasons. The two may be worlds apart, but both Stravinsky and the local bomoh share one thing – invoking the power and the mystery of nature and the elements in their work.
People of the Five Rivers
As one ascends the steps of George Town's magnificent Chinese clan temple of the Khoo Kongsi, it is difficult not to notice a pair of huge images meticulously carved out of granite as if welcoming visitors in.
The two tall, life-sized figures of Sikh guards (above) stand imposingly on the ornate pavilion of the century-old complex, widely considered to be the grandest clan temple in the country.
Sembang-sembang with Tan Choon Hoe
Malaysians are a lucky bunch, always well known for their versatility in languages or dialects. Take for example my late father who was Chinese could converse fluently in English, Bahasa Malaysia, Tamil, Hindustani, Mandarin, Cantonese and of course, Hokkien.
The legend of the ferocious beast called Nian
'Nian' in Mandarin means 'year'. However, legend has it that Nian was also a mythical monster that terrorised humans during the New Year. It was so fierce that it threatened to destroy the entire race of mankind.
At a loss at what to do, the Emperor summoned his advisors to find a solution to this looming armageddon. Having devised an infallible plan, the advisors approached Nian and challenged this all-powerful beast to prove of its invincible strength by destroying all other monsters on earth rather than to erase the humans who were obviously no match for it. .
The opulent Nyonya Kebaya
Wearable art that knows no seasons
"When in Rome, do as the Romans do" is an oft quoted maxim about the importance of adapting oneself. Whether or not this bit of wisdom was known to the early Chinese immigrants to Malaysia, some of them eventually married the local folk and adopted Malay customs. The result of this union was the Peranakan Chinese (more commonly known as Babas and Nyonyas), a unique cultural class that flourished for centuries throughout Malaysia.